Showing posts with label Apocalypse. Show all posts
Showing posts with label Apocalypse. Show all posts

Friday, October 14, 2016

PoC's Halloween: 10 Cloverfield Lane

                  Hiya everyone! I haven't really seen any new movies as of late, so that's on me. But the other day I decided hey, let's get a Redbox film, and I saw "10 Cloverfield Lane"! So we'll dive right into it. Part 2 of PoC's Halloween!
               


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                   The movie begins with a woman who is packing up her things. She finishes up and the last thing she has gotta pick up is her phone, which is sitting on a dresser. She stares at it for a solid minute or so and decides to finally pick it up. She calls someone, and the sound is taken out at this point and you see her talking and ends up kind of distressed. She then hangs up and leaves the house.
 
As she walks out with her last box, the camera unblurs on a section in the lower left hand corner... a wedding ring. 
                    She drives far away. Not just like down a few streets far. Like FAR FAR AWAY. She's on the move for the majority of the day and then she makes a stop for some fuel. However, a sketchy truck comes up and makes her a little uncomfortable. So she finishes filling up and then she's on the road again. 
                     Her phone rings and the caller is labeled Ben. She takes a second and considers answering, and eventually does. "Michelle, please come home." Ben starts pleading with Michelle to come back, and says that they just had a small fight and that that was no reason to just pack up and go. So now we know what kind of a person Michelle is. She hangs up on him.
                    She turns on the radio and there's been reports of city wide and worldwide black outs. They are mostly in major cities, but a lot of people have lost power. Michelle isn't really paying attention, though. Her phone rings again and it's Ben. 
                    She starts considering whether or not she should answer the second time when she looks
at her driver-side side mirror, and a truck is driving up behind her. It has an odd similarity to the sketchy truck that she saw earlier at the gas station. The truck slams into her and she spins out of control, crashing off of the road and then coming to a halt upside down in a patch of grass.
                    Michelle wakes up with a I.V. in her left arm. She follows the trail of tubing up into the pouch of fluids. But what she notices is that she isn't in a hospital. There's a gray brick wall behind the mounted pouch. She looks around and sees that in fact, this is no hospital. She was kidnapped.
                    She tries moving away from the bed after seeing her stuff across the room from her bed, but is cut short. She looks to her right and sees that there's a brace on her leg that is cuffed to a metal bar. She starts wrestling with it to free herself but is unsuccessful. Well, she needs her phone for sure.
                    Here we see the genius that Michelle has. She knocks down the stand that was holding the pouch for her fluids and disconnects the pouch and the I.V. from her arm. She uses the stand as a sort of hook and successfully gets her phone. But... of course, there's no service. There is no way that she's calling 911. This means she's underground. 
                    John Goodman unlocks the giant metal door and comes in with a tray of food for Michelle. He sets it down in front of her and she puts her hands up in an innocent sort of way and pleads with him to not hurt her. In reply, John Goodman says, "You need fluids." 
                    He takes the I.V. pouch and stand away and then returns with a pair of wooden crutches.
He tells her that she better get used to using those. He also gives her the key to her cuffs and then leaves. 
                    Michelle uncuffs herself and then immediately tries working on a way to escape. First thing she does is pull off the rubber covering off of the bottom of one crutch and takes the key for her cuffs and sharpens the end of the exposed crutch so that it's got a nasty cutting edge. She then plans to wait for John Goodman to return. But there's no luck. She waits for awhile and he doesn't come back. So naturally, make a way for him to come back, right? Sure, let's make the creepy man come back. Brilliant. 
                   She rips off a piece of cloth from her bed sheets and wraps it around the end of one of her crutches and then lights the cloth on fire and puts it into the small vent that is a little higher than the door and slightly to the right. She reassumes her position of waiting for John Goodman to return and the smoke quickly spreads. 
                   John unlocks the heavy door quickly and walks in looking around for Michelle, and as he is doing so, Michelle charges him with the sharpened crutch. He is able to see it coming but Michelle
hits him good and stumbles out. John gets her though and puts her back into the room.
                  John comes in again and then sets another tray of food in front of her. He talks with her and tells her that he saved her life, but from what he doesn't exactly say. Before leaving, he says, "I'm Howard by the way." Good thing, too. Cuz writing John Goodman over and over again is a pain in the butt.   
                   Okay, later on, Michelle is released from her confinement and is able to roam around the bunker. She makes a friend called Emmet. No it is not Chris Pratt. But Emmet and Michelle work together to try and get out of their confinement, while avoiding Howard, who poses their biggest threat... until we see the outside world.



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Ratings:
Family Friendliness- 6/10 Bunkers There's not really anything suggestive about this film. It's another thriller, and there are some inappropriate references from time to time. John Goodman's character is a bit of a creep. Also, there's some disturbing images of disfigured and slaughtered pigs right in the beginning, and then near the end when there's a body in a tub of acid. I'd recommend to parents that you watch this first.
Story-line- 8/10 Tubs The story is really well-done, and I've gotta say that the plot twist at the end of it all really made me mad. Basically, Howard is suggesting that aliens took over the planet, but at the same time, you know that he's absolutely crazy. What's revealed at the end is just... aggravating.
Thriller Level- 8/10 Vents This was beyond stressful. There's a point in the movie where Michelle, Emmet, and Howard are playing a game where you have to guess what the character they're describing is, and Howard gets Santa Claus. So what he says as hints is "I'm watching you. I see you when you sleep." And that just freaked me out because Howard is a real nut case. Not to mention there were the scenes where Michelle is crawling through the vents of the bunker. That may not stress you out, but I'm claustrophobic, and even seeing people in those kinds of situations gets me really worked up.
Acting- 8/10 Generators Alright if you haven't noticed already, I'm experimenting with a lot of different aspects of movies. For thrillers and other things where you can't really measure comic book accuracy, I'm trying to figure out what you guys would like to read about. So just bear with me. But anyway, the acting was phenomenal. I have to say that the actress who played Michelle did a fantastic job, and I don't even know her name. John Goodman contributed too, so obviously that makes it all the better.
Overall- 8/10 Stars The rating should be 7, but I like to be gracious to movies because hey, that's the entire reason I blog.


"10 Cloverfield Lane trailer" <https://www.youtube.com/watch?v=yQy-ANhnUpE>


Saturday, June 4, 2016

X-MEN: APOCALYPSE

You thought X-MEN III was awful, and you were right. But that's because Bryan Singer wasn't behind the wheel. Get ready for the next chapter in the X-Men Cinematic Universe that will blow your mind and give a few much needed answers that have been raised ever since X-MEN: First Class came out. So buckle up and settle in for a helluva ride.


WARNING SPOILERS AHEAD! 
READ AT YOUR OWN RISK!


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                  The film begins in Egypt at around 6000 BC with a ritual taking place. The ritual is for Apocalypse because he's gotten old, and he wants to transfer his conscience to
Apocalypse
another body so that he can basically be immortal. 
                   The ritual begins and his Four Horsemen, basically his four disciples, are present to protect him. However, the soldiers of the Egyptian guard have a plan up their sleeves. "Death to the false god!" they yell as they collapse the giant pyramid where the ritual is taking place. This is Apocalypse's weakest moment, so he can be killed. However, the Four Horsemen protect him, and he's buried. 
                    The transfer wasn't completed, therefore Apocalypse is in a kind of suspension. He's not dead, and he's not alive. He stays there for most of history until the film fast forwards to the year 1983. Here, the film follows multiple story lines, and the way I explain them may not be in the order of the movie. So, sorry in advance. 
                     Eric Lehnsherr (Magneto) has tried living a normal life after the events of X-
The Four Horsemen
Men: Days of Future Past, and has so far been successful. He's married and has a 10 year old mutant daughter who can influence animals. They're living in peace until there's an accident at the metal plant he's working at and he saves a guy from being crushed. 
                     Now if you remember back to 10 years prior, Eric turned the world's cameras on himself, and he was known as a mutant to be feared. Naturally, all of the workers saw that on tv and report Eric to the authorities. They capture his daughter and want Eric to turn himself in.
                    However, as Eric is being taken away, his daughter becomes angry and animals begin reacting, starting to encircle the officers. One of them has a bow and arrow poised and ready to fire, and he gets distracted by the birds and lets fly. The arrow pierces
The 1983 X-Men
Eric's daughter through into his wife. Pissed off as you can imagine, he kills all of the officers. He then proceeds to kill the men at the metal plant where he works. 

                    Moira McTaggart has continued as an undercover CIA Agent for the past 21 years, and this time we find her in Egypt. She followed two men that have the mark of Apocalypse. They're in a kind of cult. She follows them into the tomb that we know contains the suspended body of Apocalypse, and she walks in on a ritual to revive him.
                    He's revived and teleports out of his tomb to find four new Horsemen. His teleportation literally shakes the entire earth, and the X-Men feel it. Jean reacts to it and sees the end of the world in a dream. Turns out that that's not too far off from the truth.
                     Apocalypse comes across a young girl who can control weather and recruits her as a Horseman. This female figure we know as the famous Storm. Fun act, Storm is actually Stan Lee's favorite female Marvel character. Anyway, Apocalypse enhances Storm's powers so she can unlock her full potential. 
                     At the same time, Mystique has continued to help mutants outta trouble, one of them being Kurt Wagner, otherwise known as Nightcrawler. He's fighting Angel and she saves him. They then go to Xavier because Raven hears that Eric is in trouble in
The Ritual Pyramid for Apocalypse in Egypt, 6000 BC
Germany because he killed a bunch of people. 

                    Back to Eric. Just as he's about to kill the men in the metal plant, Apocalypse teleports to him with Angel and Psylocke. He brings him to Auschwitz, where Eric first used his powers. There, Eric discovers he can summon metal that is buried deep beneath the surface of the Earth. Magneto's true potential is shown here, and it is just an awesome display of his true power, and I was happy I got to witness it.
                     So hearing about the giant earthquake that Jean reacted to, Charles goes to Cerebro and finds Moira in Egypt, coming out of the newly collapsed tomb. They then go visit her in Langley. She tells them about Apocalypse and know that he's bad news. From here, it picks up. I don't wanna spoil anything more than I already have, but you should go see it. It's awesome.

Ratings: 
Family Friendliness- 7/10 X-Men Definitely not for the little ones. Then again, how many family friendly movies are out there right? Kids ages 12 and up is a good range for the film. There's a lot of violence, and a swear word or two; maybe three. There is some blood, and it's quite realistic, but other than that it should be good. No sexual content of any kind whatsoever.
Story Line- 9/10 Horsemen The story was phenomenal. Now, I don't keep up with X-Men as much, but I sure appreciated the movie. It was totally awesome, and a lot of things came into play, like the classic X-Men suits. You've just gotta remember that there's been a lot of time jumps in between the newest X-Men movies so that you don't get confused. 
Story-Action Balance- 9/10 Cerebros It was very nicely balanced between all of the action fight scenes, the comedic relief, and the overall plot. Nothing felt too overwhelming, and it was always fun to get a good laugh from almost every character. Even Xavier had a few moments!
Overall- 8/10 Jets You can do the math if you'd like, but I think that the movie was very good. It was definitely a step up from X-Men: Days of Future Past and X-Men: First Class. Each film keeps getting better and better, kinda like the Avengers films, and I'm glad that the X-Men Cinematic Universe has taken a turn for the best. I can't wait to see what Bryan Singer's gonna do next!




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Bibliography: "X-Men: Apocalypse Trailer" <https://www.youtube.com/watch?v=Jer8XjMrUB4>
"X-Men: Apocalypse The Four Horsemen" <https://i.ytimg.com/vi/1HAs4XLhSZw/maxresdefault.jpg>